Follow us on Google News
Get the latest updates directly in your Google News feed
Anime filmmaker Hayao Miyazaki has “retired” twice — first withPrincess Mononoke, then withThe Wind Rises.The Boy and the Heronis (supposedly) his final “final” film, and debuted earlier this year in Japan to acclaim under a shroud of secrecy. Finally making its way to international audiences, it’s a fizzling end to the master’s career, even if it is as visually splendid as one would hope.

The Boy and the Heronfollows a young boy who, following a tragedy, moves to the countryside with his father, where he encounters a mysterious gray heron, who takes him on an enchanting adventure to another world. It’s a set-up that feels familiar to the rest of Ghibli’s repertoire, and unfortunately, never ascends beyond that feeling.
The first hour of the movie goes by rather slowly, as we are introduced to the characters and dip our toes into the water of the world that Miyazaki is creating for us. There are glimpses of the fantasy that is to come, but for the most part, it’s a more grounded story about the cost of war. Speaking in Ghibli terms, it’s more reminiscent ofGrave of the Firefliesthan Miyazaki’s cheerier work.

The Boy and the Heronlooks great but is narratively underwhelming
It is in the second hour of the film that Miyazaki goes all-in on the whimsical world building that fans associate with him. Yet, it still feels somewhat underwhelming. The ideas on display here don’t have the same level of imagination as some of his finer work, and it feels like we’re having to rush through to wrap everything up too quickly.
On one hand,The Boy and the Heronis probably Miyazaki’s most dense and cryptic movie yet. It’s a very dense narrative that will likely take most viewers multiple viewings to dissect in its entirety. At the same time, it feels overly familiar. you may see shades ofSpirited Awayand even bits ofNausicaä of the Valley of the Windhere. But the film doesn’t feel like it is in conversation with those works, but a derivative of them, like someone was copying Miyazaki’s style — disappointing, considering that it is made by the man himself.

Also Read:Dicks: The Musical TIFF Review: Exaggerated Musical Comedy Has High Highs, Low Lows
The one aspect of the movie that is undeniably grand and magical is the animation, and Miyazaki remains second to none in this department. It’s not just gorgeous to look at, but among the most creative and rich you will see in terms of both character design and settings.The Boy and the Heroneven screened a few times at the festival with a true IMAX DMR print, which is unquestionably the way to see this gorgeous artistry on display.

This is clearly one of the most personal films that Miyazaki has made. The movie takes its original title —How Do You Live?— and a vague inspiration from Miyazaki’s childhood favorite book. There are also similarities between the character’s experience and Miyazaki’s own childhood. However, these hardly shine through when the rest of the film sticks so closely to the traditional formula.
The movie deals with themes that are familiar to the work of Ghibli and Miyazaki. It’s anti-war, of course, and it explores the grief after the loss of one’s parents. Ultimately, these themes still pack quite an emotional punch, as the film’s beats will still have many viewers feeling teary-eyed by the time the credits roll. Still, the movie never escapes the feeling that it’s just going through the motions.

Visually,The Boy and the Heronis absolutely magnificent and everything you could possibly hope for from the latest Miyazaki film. Narratively speaking, it’s a bit underwhelming and nowhere near as immersive or magical as the filmmaker’s previous outings. Maybe it would have been best for his last announcement of retirement afterThe Wind Risesto have stuck.The Boy and the Heronis by no means a bad movie, but it’s probably the weakest in Miyazaki’s filmography.
The Boy and the Heronscreened at the 2023 Toronto International Film Festival, which ran September 7-17 in Toronto, Canada.
Also Read:Next Goal Wins TIFF Review: Taika Waititi’s Weakest Movie Yet Is a Conventional Crowd-Pleaser
Follow us for more entertainment coverage onFacebook,Twitter,Instagram, andYouTube.
Rating: 7/10
Also Read:Dumb Money TIFF Review: GameStop Stock Movie Does Not Go to the Moon
Sean Boelman
Managing Editor for Film and TV
Articles Published :441
Sean is the Managing Editor for Film and Television, working to determine editorial strategy for the critics team. He has been on the FandomWire team since 2022.In addition to writing reviews himself, Sean helps match writers on the FandomWire team with assignments that best fit their interests and expertise.
More from Sean Boelman
“This is a match made in Heaven”: Mason Gooding and Dylan Sprouse on Working Together in Under Fire (INTERVIEW)
Highest 2 Lowest Review — Spike Lee’s Kurosawa Remake Is Saved by a Phenomenal Denzel Washington
Is This the Best New Way to Watch The Matrix? Reviewing Cosm in Dallas, TX
Recommended
Sean McLaughlin’s Dad Just Became the Unlikely Villain (or Hero) of ‘Bachelor in Paradise’
Madison Beer’s Boyfriend: Who Is She Dating?
Helldivers 2 X Halo ODST Legendary Warbond Crossover: Complete Rundown
Good Boy Director Explains How He Made His Dog Act in 2025’s Most Inventive Horror Movie
The Terminal List: Dark Wolf: Luke Hemsworth Reveals Marvel Link That Sneaks Into His Dark Wolf Role
The Batman 2: Is Zoë Kravitz Not In the Robert Pattinson Starring Sequel? Reports
AnimeHayao MiyazakiStudio GhibliThe Boy And The Herontiff 2023