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Sports dramas are usually a pretty safe genre, with films that rarely defy expectations, but at least succeed at the bare minimum goal of inspiring the audience.The Boys in the Boatis this year’s would-be awards contender dud — a crowd-pleaser that’s so underwritten and poorly directed that it’s not even respectable on a surface level.
The Boys in the Boatfollows the University of Washington rowing team as their team of inexperienced rowers tries to make it to the 1936 Berlin Olympics. There are a lot of political undercurrents to this — considering that it’s during the Great Depression, the rise of Hitler’s Germany, and the same Olympics that Jesse Owens was at — so it’s probably not surprising that this story has largely been overshadowed in history.
One of the movie’s biggest issues is the lack of development of the characters. We get a lot of backstory for one of the rowers. His teammates — even the ones he’s friends with — don’t have much to do. We also don’t get to know the coach much beyond the team. Ultimately, what is missing fromThe Boys in the Boatis a reason to care. We start by mentioning the Great Depression and how the team was a refuge for these impoverished students, but the film barely makes anything out of that.
The Boys in the Boatwould be mostly average, were it not for poor direction
Instead, we get an entirely straightforward underdog tale about this band of misfits trying to make it to the Olympics. That wouldn’t necessarily be bad if it didn’t feel like Mark L. Smith’s script — based on Daniel James Brown’s book — was labored to get through the motions. In the hands of a better coxswain, this probably just would have been forgettable and average, but Clooney managed to turn something harmless into something bafflingly bad.
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While most of Clooney’s directorial outings have not been particularly acclaimed, they’ve at least had many redeeming qualities. There are few of those to be found here, as the movie is utterly clumsy in its direction. For example, the way the scenes between the athlete protagonist and his coach are blocked, shot, and performed, you’d think they have some sort of pre-existing relationship outside the team when that isn’t the case.
The racing scenes have a few glimpses of good, but it’s hard to mess up shooting a race. These scenes have an inherent excitement to them thanks to the competitive nature of rowing, and viewers will at least be charmed by the underdog aspect of the story. That being said, in the climax, there are a few cutaways that are questionable at best and laughable at worst, almost ruining the rhythm of the sequence.
Furthermore, it feels like everyone in the cast is sleepwalking through their performances. This is especially the case for Joel Edgerton. Although Edgerton’s trademark is typically stolid, his performance here is particularly uninspired. Callum Turner is extremely nondescript in a role that could have been filled by anybody.
At first, it seems likeThe Boys in the Boatis simply going to be another forgettable sports drama. However, it is so clumsily directed by George Clooney that it becomes downright laughable, creating meanings that aren’t there. At best, it’s bland and effortless; at worst, it’s unintentionally ridiculous.
The Boys in the Boathits theaters on December 25.
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Rating: 4/10
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Sean Boelman
Managing Editor for Film and TV
Articles Published :441
Sean is the Managing Editor for Film and Television, working to determine editorial strategy for the critics team. He has been on the FandomWire team since 2022.In addition to writing reviews himself, Sean helps match writers on the FandomWire team with assignments that best fit their interests and expertise.
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callum turnerGeorge ClooneyJoel Edgerton
